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• Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”

  My slowing down on that April evening was analogous to the generalized state of standstill gripping the world during the spring of 2020. To reduce the spread of...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  Having covered love and intimacy, they move onto compassion, nearly getting hit by the “Settler Shame Train,” and moving into the segment titled “White Settler Girl Who Feels Really...

• Movement as Activism

  Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...

• The Wrong Side of the Tracks

  The need to run away, to escape and be independent from others mixes with the desire for relationships, for sex, for friendship, for Lady Bird’s mother to talk...

• Concrete constructs of linearity

  A repression exists in not accepting values and systems of knowledge held by cultures outside of the majority, due to the basic principles of hierarchy. This repression of responsible...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  The idea of creating a film about the strike as seen through the windows of a steam bath came to Gonick after seeing an exhibit for its 75th...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  As the documentary unfolds, duplicity and doubling emerge: duplicity enacted by Cardona and doubling by Tan. When the film canisters finally do appear decades after their loss, Tan is...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Much has been written and discussed about the gaze of the camera: it’s patriarchal, steely glare simultaneously fetishizing and sterilizing its subjects into submission. From the lens of a...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  In the period between visiting the exhibition and writing this text—a fairly truncated timeline—I encountered two very recent examples of mainstream popular culture that seem to depart from this...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  *GM: Working in a studio system for the first time and with English-speaking actors and crews required adaptation on your part. How were you able to express your...