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• Matthew Cardinal

  *Matthew Cardinal* is an Indigenous musician, sound designer, and artist based in amiskwaciy (Edmonton, AB). He uses a variety of synthesizers and samplers to create melodic and delicate music that...

• Sanaa Humayun

  *Sanaa Humayun* is a second-year student completing her BFA in painting at AUArts and an emerging visual artist residing in Mohkinstsis, trying to make art and make space for marginalized folks....

• Kate Barry

  *Kate Barry* has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto),...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande is a Nehiyaw Isko artist from Bigstone Cree Nation who was living in the territory of Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations(so-called Vancouver)at the time. She was trying to understand how...

• The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen

  The idea for a new screen began in 2014 when a City of Vancouver public art consultant approached three artist-run centers in Mount Pleasant: grunt gallery, The Western...

• The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen

  Vancouver artist Paul Wong, created six short 10-second videos titled, CHINESE ONLY Television Bumpers. These brightly colored digital graphics are written specifically in Chinese characters. The characters, “Chinese Only” are overlaid...

• The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen

  In Amanda Strong’s work the idea of place is explored through a six-minute, stop-motion animation titled Ghosts. It’s a story about the plight of the wolf and the caribou that...

• Telling Women’s Stories: A Spotlight on NFB Animation

  In Flawed (2010), Andrea Dorfman takes on the issue of body image. She draws and paints in real time as she tells a series of stories from her...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  I think about this idea a lot. I’m Pakistani by heritage, born and raised on stolen land. I live in Alberta, knowing that Whiteness has claimed this land as...