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• Re-presentations, Adaptations, and VARIATIONS

  Furthermore, the individual works also contain references to the lives and practices of their makers. The remainder of Belzile and Craig’s Untitled, for example, feels like a narrative depiction of...

• Slay, Okay

  It is with the much-discussed visual album’s disorienting ambition to simultaneously “challenge the ongoing present day devaluation and dehumanization of the black female body” and “to seduce, celebrate, and...

• An object is a slow event.

  Based now in Mexico City after having spent the last several years studying at Edinburgh College of Art and at CalArts in Los Angeles, De Laborde’s practice has evolved...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  I connect to the stream. The image presents itself on the screen of my laptop, a shaky, hand-adjusted frame that quickly steadies, focusing on the stage at VIVO...

• Jasmin Risk

  *Jasmin Risk* is an interdisciplinary artist whose videos, installations, and artist’s books use textiles as support and material. Risk’s work has been exhibited extensively in New York City, including...

• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• Black box, white cube, and something in the middle

  The jewel of the film series was Sergei Parajanov’s resplendent The Color of Pomegranates (1969), selected and introduced by Atom Egoyan. Through a sequence of episodic tableaux, Parajanov composes...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  The first piece to be introduced is the short film, The Last of the Nepinaks (2005) by Skownan First Nation artist Darryl Nepinak. The film follows a toddler...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  Karaoke transition. It’s Elton John’s Benny and the Jets, sung by Brit Bachmann. The final contributors are introduced—I’ve been watching for about an hour and a half. First-time collaborators...

• Supporting Each Other in Genuine Ways Where We Are Now

  The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...