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Fascinated and Repelled: an Interview with Lorenzo Fusi
During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...
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Mark Clintberg
*Mark Clintberg *is an artist who works in art history. He recently moved to Calgary to teach as an Assistant Professor at the Alberta College of Art +...
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Alexa Bunnell
*Alexa Bunnell* is an emerging artist, writer, and fermenter. Their practice is currently based in Mohkinstsís (Calgary, AB) on Treaty 7 Territory. Adoration, playfulness, and multi-species conspirators guide their practice...
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Concrete constructs of linearity
When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...
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Punning Photography’s Legacy: His dreadful glance
This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been ‘curated’ by the artist, who carefully...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...
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On Collectives, Projects, Film Itself, and a Sausage Factory
*KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....