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• Creating a Baseline

  *TS: Was it hard to get rid of things because of the autobiographical aspect of the script?* GM: It’s a balance. The story is informed by personal experience, but...

• Lindsay McIntyre

  *Lindsay McIntyre* is a film artist working with 16mm film and experimental, handmade and documentary techniques. Her short films circle themes of portraiture, place, form and personal histories. She has created...

• Adam Waldron-Blain

  *Adam Waldron-Blain* is a famous artist in Edmonton. In recent years, his works have appeared in shows at Confederation Centre Art Gallery and the Art Gallery of Alberta, as...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• Nicole Kelly Westman

  *Nicole Kelly Westman* is a visual artist of Métis and Icelandic descent. She grew up in a supportive home with strong-willed parents—her mother, a considerate woman with inventive creativity, and...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  Morison, an engineer with a love for film, exemplified the hungry and energetic amateur celluloid artist crowd in Calgary in the early nineties. He had a library of self-produced...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...

• The Channelers

    *I: False Impressions of Actualizing the Marxist Dream*   Back in 2009, Hito Steyerl’s essay, “In Defense of the Poor Image,” championed the low-resolution, degraded image. She saw the “poor...