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Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice
The film is based on real events in the 1890s, when Kitchi-manito-waya (Almighty Voice), a 20-year old Cree man, was arrested for slaughtering a government cow or steer...
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Less Grey
*Ted Stenson (TS): What stage are you currently at in post-production?* Gillian McKercher (GM): We just picture locked! We have passed off the film to our post-sound team and...
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Less Grey
*TS:* *Everything you’ve done before Circle of Steel was much shorter: web series, short films, music videos… What had been your previous experience of the post-production process? * GM: When I made the second season...
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Less Grey
*TS: What are the challenges in trying to shape a narrative at a feature length vs. something shorter, like a short film or music video? Do you feel like...
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Editor's Note: Cool Mud
When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...
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Lorenza Mazzetti: Free
Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...
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Lorenza Mazzetti: Free
In 1902, Roberto Einstein—Lorenza’s uncle—met Cesarina Mazzetti (Nina, to her family and friends.) A few years later, they married. Their own two daughters, Anna Maria and Luce, were born...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Hiller said to Tillman, “Psi Girls deals with this sort of obsession with special powers of some human beings, in this case, of girls—now that’s a social fact.”4 Once a...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...