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• Nina Staum

  *Nina Staum* has a diploma in TV production from SAIT, and has been working in television and post-production for the past 20 years. She enjoys variety and working...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Editor's Note

  Unlike the Rocky Mountains that leave you thunderstruck by their sheer monumentality or the thrill of seeing orcas cavorting in the Active Pass between BC’s Mayne and Galiano Islands,...

• Edmonton Sound Travels

  Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”¹³Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...

• Edmonton Sound Travels

  ARRIVALS Matthew Cardinal At the age of 27, Matthew Cardinal is one of the younger sound artists in Edmonton. His interest in music is rooted in country: “A lot of...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CHELSEA YANG-SMITH: How many years have you been doing photography? When did you decide to start taking on freelance work and what has that process been like so...

• Edmonton Sound Travels

  Shawn Pinchbeck The “Shawn” that Dion mentioned was Shawn Pinchbeck, who was just 15 when he showed up on CJSR's doorstep with tapes of his own original music.  “We would...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Afterword by Aran Wilkinson-Blanc   A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...