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• Black box, white cube, and something in the middle

  Meet in the Middle uses the central theme of trauma as it relates to migration and memory reflected through film, art and the work located at their intersections. Twinning Saskatchewan...

• Rebecca Smyth

  *Rebecca Smyth* grew up in Calgary, where she studied at ACAD and lived on a honey farm in Okotoks before completing her BFA at Concordia University amid the political unrest of the...

• Bryn Evans

  *Bryn Evans** *is a journalist and arts critic based in Calgary, Alberta. He was a long-time writer and editor for the magazine Fast Forward Weekly. Once upon a time he...

• Jesse Cumming

  *Jesse Cumming* is a researcher, writer, and arts administrator based in Toronto. He is currently completing his M.A. in York University and Ryerson University’s joint Communication and Culture program,...

• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• An object is a slow event.

  NW: Yes, I love this. As a programmer I can sometimes feel the discomfort in the room when people aren’t getting the narratives they’re expecting. But when they...

• An object is a slow event.

  In terms of my film work, it’s hard to separate from the object. There are films that try to be completely object-free, using a macro lens or something,...

• An object is a slow event.

  NW: But this is also an act of exercising your power over it too, right? Saying, ‘They can't exist on top of each other, but I'm going to...

• Black box, white cube, and something in the middle

  The jewel of the film series was Sergei Parajanov’s resplendent The Color of Pomegranates (1969), selected and introduced by Atom Egoyan. Through a sequence of episodic tableaux, Parajanov composes...

• Black box, white cube, and something in the middle

  In contrast to the isolating condition of the white cube, Egoyan took Auroras further in a modification of the installation outside Berlin’s Maxim Gorki Theater in 2015.  Here, double-sided...