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Paige K Boudreau
Alberta-based filmmaker *Paige K Boudreau* began her career as an editor, cutting lifestyle TV among other projects. In 2010 she transitioned into the role of production coordinator and post...
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Shelby Gray
*Shelby Gray* is an Alberta College of Art & Design sculpture Alumni living in Calgary, Alberta. At a young age she developed a love of cinema when her...
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Jacob Bews
*Jacob Bews* is currently a student at the University of Calgary, completing his undergraduate English and Film Studies double major, while also acting as Co - President of the University of Calgary Film...
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Steffanie Ling
*Steffanie Ling* is a producer of criticism, pamphlets, stories, essays, exhibitions, reviews, bluntness, anecdotes, shout outs, wrestling storylines, proposals, applications, jokes, readings, minimal poems, poems, dinner, compliments, and diatribes. She...
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Editor's Note: Cool Mud
When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...
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Lorenza Mazzetti: Free
Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...
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Lorenza Mazzetti: Free
In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...
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Lorenza Mazzetti: Free
The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...
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Beyond Social Fact in Susan Hiller's PSI GIRLS
From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...