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• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  I would say 23 days in Vancouver is equal to 40 days in Mexico. In Mexico, things move slower. For example, you might start shooting two hours after...

• Editor's Note

  I have been listening to and really loving an amazing eight episode podcast about gender non-binary identities called NB from the BBC.¹Gender non-binary is “an umbrella term for people...

• How Real Do You Want Me To Be?: Kate Craig’s DELICATE ISSUE

  The soundtrack contains heavy breathing accompanied by the sound of a heartbeat. At times the heartbeat and breathing become slightly muffled by the microphone. In the initial shots of...

• Fostering Women and Filmmaking: 30 Years of Herland

  Herland is an organization that seeks to bring films by and about women to a larger audience. Originally a festival, Herland is now focused on advancing women's careers...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya, a trans woman of colour, has remarked that her body of work, which spans albums, books, films, and photo essays, is often informed by the oppressions she...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Trisha is an interesting space in this regard, given that Shraya enacts and cultivates subjectivity in complex ways. There are two immediate and visible subjects of Trisha: Shraya’s mother...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya discusses how the photos she is recreating are mediated: “I suspect that many of the vintage photos of my mom are the ones that my dad took,”...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I would comb it for films I wanted to see, mostly airing in the middle of the night. “Ah, Ikiru (1952) is on Thursday night. I’ll record that...