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FAVA TV: Bringing Media Art to the Masses
Scholotiuk explains: “We found by doing that every video took time, and because it had to go through a person--me--to facilitate this, I became the de facto curator,...
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PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
*GC: What limitations from conventional documentary filmmaking are you resisting? I can feel that there are conventions that you are getting rid of. For instance, the lack of names,...
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Edmonton Sound Travels
Gary James Joynes Gary James Joynes spent his 20s and 30s in rock bands playing original music, striving in the later years to land a record deal, the brass...
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By A Shift Of Distance
What is additionally enriching for any cultural discourse is how Altman dissolves the boundaries of private and public spaces throughout the film. In the aforementioned mass pile up, Nashville...
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Editor's Note
My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...
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Submissions
Luma accepts pitches and previously unpublished finished works that aim to expand critical dialogue about media art and film. Submission formats can include, but are not limited to: critical...
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Editor's Note
I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...
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Ektoplasm-o-vision! with Guy Maddin
Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...
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Warp/Weft/Wept
A three-part digital drapery study, Jasmin’s review of the word felt—as in haptic and emotive, tactile and affective—echoes triptych tradition. With what seem to be details of hair, oil...
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A Failed Poet
He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...