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• Performing objects, readymade bodies

  Another example of dance documented on film, Walkaround Time was filmed on 16 mm in two parts over a span of four years, and in two locations: 1969...

• Don’t just sit, don’t just stop

  *LUMA: How did the idea behind Bonum develop?* Sabrina Naz Comanescu: I guess the story's pretty personal to me. I was in a moment in my life where I...

• Performing objects, readymade bodies

  they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...

• Don’t just sit, don’t just stop

  *LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...

• Paint and Popcorn

  In the midst of all this engorgement—popcorn butter having created a sheen on my hands and face—I am left with the feeling of not being satiated. This feeling...

• Don’t just sit, don’t just stop

  *LUMA: Yeah, I wanted to ask about that glitching. That sort of VHS-ization. I guess that's a new word…* [Laughter] AWB: Well Sabrina came to me, actually on Instagram,...

• Paint and Popcorn

  Michelangelo: Love and Death, a brisk 90-minute film by Exhibition on Screen promising to be “sensual and provocative,” features slow pans across the ceiling of The Sistine Chapel and...

• Paint and Popcorn

  A couple of works, such as The Great Wave (an image so iconic, it’s an Apple emoji), are explored in detail. There are a few unbelievably beautiful close-ups...

• Editor's Note: A Scene from 16

  Hygge[sitetree_link,id=470] enter Chapters enter Starbucks bean-smells coffee-floating friendly green tinge eco-friendly person-friendly coffee-friendly green damn. A fireplace chairs that loudly screech across brown tile floor the comfort of the bathroom...

• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...