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Kristen Hutchinson
*Kristen Hutchinson* (they/she) is a queer and gender-fluid visual artist, cultural critic, curator, writer, editor, and adjunct professor of art history, feminism, media studies, and popular culture. They received...
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Editor's Note
Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,1scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
This video was followed by Reparation Hardware[https://www.youtube.com/watch?v=7COHTosrPgE], a gentle satire by Ilana Harris-Babou, about a project to repurpose artifacts from the United States’ slavery-driven homesteading past to build a more...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
Another poster features a figure (or two, depending on how you read the image) that appears to be collaged from commercial stock photos. The head belongs to a...