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• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

• First Nations Involvement in Alberta’s Film Industry

  Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...

• First Nations Involvement in Alberta’s Film Industry

  When Graham asked if anyone recognized the clothing, face paint, horses, or patterns on the teepees in Little Big Man, the elders agreed that these costumes and props...

• First Nations Involvement in Alberta’s Film Industry

  Laughter permeated sections of the screening, where a deep and profound sadness soaked into others. At one point in Little Big Man, General Custard and his army slaughter...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  Despite a highly acclaimed Cannes debut, the film struggled to find an audience and disappeared into total obscurity, unavailable for over four decades. In 2009, a restored version (selected...

• Re-presentations, Adaptations, and VARIATIONS

  Although conceived by Templeton as a project in its entirety, each of the works in VARIATIONS stand alone as a meditation on a particular word, grouping of words, feeling, or narrative...

• Every Movie is a Ghost Story: an interview with Gemma Files

  Murray Leeder: Experimental Film joins Walker Percy’s The Movie-goer, Theodore Roszak’s Flicker, Steve Erickson’s Zeroville and others in the peculiar category of literary fiction about cinema, and even invokes a kind of “cinematic” quality in its section headings. How...

• Queers and Our Counterparts

   This interview was held on January 5th, 2017 in Calgary, Alberta, and has been edited for length.   ANGELA FERMOR: So my name’s Angela Fermor, I’m an emerging artist...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...

• Queers and Our Counterparts

  AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...