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• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  The New Gallery, who selected and exhibited the work, offered a number of accommodation options such as “the placement of a QR code in the vitrine allowing viewers...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  After a three-year long project like Eulogy, the playfulness and camaraderie of Wreck City allowed Polina to explore the documentary format with a lighter hand and a shorter...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  While Foote’s photos have stood the test of time, films shot during the strike have largely been relegated to obscurity, and many of them have been lost forever. According...

• Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

  Newspapers from across Canada and the United States descended on the prairie city to cover the strike, but according to media historian Michael Dupuis, many of them failed to...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  I would say 23 days in Vancouver is equal to 40 days in Mexico. In Mexico, things move slower. For example, you might start shooting two hours after...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya discusses how the photos she is recreating are mediated: “I suspect that many of the vintage photos of my mom are the ones that my dad took,”...

• Fostering Women and Filmmaking: 30 Years of Herland

  Somers remembers a far different political climate from today. Feminist films, especially those that openly dealt with women’s bodies and sexuality, were considered controversial by the mainstream. Criticism came...