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• Fostering Women and Filmmaking: 30 Years of Herland

  Somers made it her goal to work against this pattern, and looked for ways to bridge the gap and bring women’s voices forward. She theorizes that emerging female...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The “interviews” and the rest of Quickeners, has been reworked from real-world documentary footage about a snake-handling Evangelical Christian sect from Appalachia in mid-century America. The black and white...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Editor's Note

  Unlike the Rocky Mountains that leave you thunderstruck by their sheer monumentality or the thrill of seeing orcas cavorting in the Active Pass between BC’s Mayne and Galiano Islands,...

• Edmonton Sound Travels

  Shawn Pinchbeck The “Shawn” that Dion mentioned was Shawn Pinchbeck, who was just 15 when he showed up on CJSR's doorstep with tapes of his own original music.  “We would...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  Crank, more grinding, the light refocuses and I spy upon a group of artists following Edmonton artist Raylene Campbell on a sound walk. They are silent, concentrating on...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Afterword by Aran Wilkinson-Blanc   A tray of sugar skulls with our names on them, in a cemetery, after dark. It was around August that a group of artists, technicians, and...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Tan’s concept for the original Shirkers film is rooted in her upbringing in Singapore, a sweaty little island with a government that stressed politeness and decorum, going so far...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Though I wish we could see the original film on its own, separate from the backstory of Cardona, his imprints are everywhere in the documentary Shirkers. The two...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...