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• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *GC: I think too, the choice of ending the film with collective hope rather than individual hope, can help. Especially because individual hope can be lonely, or even delusional....

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...

• Sue-Shane Tsomondo

  *Sue-Shane Tsomondo* is an artist, arts administrator, and occasional writer based in Mohkinstsis (also known as Calgary). Born and raised in Zimbabwe, she is interested in the stories that...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  I was struck by Keity’s features; her dominance as the central figure of the film evoked memories of Ousmane Sembène’s 1966 film Black Girl [La Noire de…].  The third...