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  • Jem Noble

    *Jem Noble* (UK, 1974) lives and works in Vancouver (unceded Coast Salish territories). He repurposes media artifacts, stages gestures, screenings and performances, makes installations, publications and broadcasts, often working collaboratively....

  • Lindsay McIntyre

    *Lindsay McIntyre* is a film artist working with 16mm film and experimental, handmade and documentary techniques. Her short films circle themes of portraiture, place, form and personal histories. She has created...

  • Adam Waldron-Blain

    *Adam Waldron-Blain* is a famous artist in Edmonton. In recent years, his works have appeared in shows at Confederation Centre Art Gallery and the Art Gallery of Alberta, as...

  • Bruce Hugh Russell

    Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

  • Nicole Kelly Westman

    *Nicole Kelly Westman* is a visual artist of Métis and Icelandic descent. She grew up in a supportive home with strong-willed parents—her mother, a considerate woman with inventive creativity, and...

  • Editor's Note: Re-Ornamentation

    Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

  • Keep it loose: a short history of the Artifact Small Format Film Festival

    Morison, an engineer with a love for film, exemplified the hungry and energetic amateur celluloid artist crowd in Calgary in the early nineties. He had a library of self-produced...

  • Keep it loose: a short history of the Artifact Small Format Film Festival

    The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...

  • Keep it loose: a short history of the Artifact Small Format Film Festival

    The first $100FF took place in 1992 in the basement theatre of a church at 1703 1st NW—which was also the CSIF headquarters. An intimate overcapacity audience took...

  • Keep it loose: a short history of the Artifact Small Format Film Festival

    Pepper moved on to the second person that was essential to the development of the festival: Rick Doe. Doe moved to Calgary from Vancouver in 1975, and worked...