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- SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
These images that desperately vie for humyn2attention also become a representation of humyn bodies and their production, underpinning the values of a status quo in this moment and time. If aliens...
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Calling All Queers: A Spotlight on NFB Animation
The film ends with the teacher asking the class to compile positive words for, and attitudes about, gays and lesbians such as happy, respect, and treat them as...
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Editor's Note
There is also much to be said for entering a darkened room in a gallery or museum to become completely absorbed in a large-scale projection with no distractions...
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Editor's Note
For me gallery going is one of the safer public activities to pursue these days: an almost silent, distanced, and individualistic time to commune with the artworks on display. A...
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Editor's Note
Lozano-Hemmer’s works are immersive and interactive dialogues with technology, often placing the body of the viewer at the centre of the artworks. The exhibition “includes a 30 metre long...
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GHOST DAYS: CVD 19 Series
This photo essay is a continuation of my ongoing project Ghost Days, a collaborative project involving spirits and the living in collaboration to share creative works. We decided to...
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The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground
Khrysta Lloren’s Catfish Killer (2017) is about a serial killer lying about who they are and using online manipulation to seduce, meet, and murder straight men.1Its satire for queers...
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The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground
Lloren moved to Calgary from Cebu City, Philippines at the age of 19 and attended the Alberta College of Art and Design (ACAD) where they majored in painting....
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The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground
It’s a very Warholian tendency – to always be creating and “cranking out” a high volume of media projects, honing their craft as they advance. Like their other influences...