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  • First Nations Involvement in Alberta’s Film Industry

    When Graham asked if anyone recognized the clothing, face paint, horses, or patterns on the teepees in Little Big Man, the elders agreed that these costumes and props...

  • First Nations Involvement in Alberta’s Film Industry

    Laughter permeated sections of the screening, where a deep and profound sadness soaked into others. At one point in Little Big Man, General Custard and his army slaughter...

  • Ted Stenson

    *Ted Stenson* is a writer and filmmaker from Calgary, Alberta. He graduated from the MFA Theatre program at the University of Calgary with a degree in Playwriting. He writes...

  • Brianna Strong

    *Brianna Strong *is a visual artist residing in Calgary, Alberta. She is interested in how a reduced visual language of dots and lines can be extended into the...

  • Alex King

    *Alex King* is the Curator/Preparator for the University of Regina President's Art Collection in Saskatchewan, Canada, previously working in curatorial roles at the Estevan Art Gallery & Museum, the Winnipeg Art...

  • Supporters

     In addition to our public funders, Luma wishes to acknowledge the generous support of the Alberta Media Arts Alliance Society for the final issue.  AMAASLogo 800px Luma relies heavily...

  • Is it finished.

    Later, I turned to Google to research these artists. Most of what came up were Facebook profiles, wedding photographers, and a lot of blank National Gallery profiles; only...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

      THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

    A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

    GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...