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• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Edmonton Sound Travels

  Shawn Pinchbeck The “Shawn” that Dion mentioned was Shawn Pinchbeck, who was just 15 when he showed up on CJSR's doorstep with tapes of his own original music.  “We would...

• Compassion and Resistance: Rita McKeough’s Works

  The vinyl record accompanying this publication is a bonus addition and features sound works from various performances and installations. Listening to the various sound pieces brings another understanding of...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: How do you measure your success as a photographer?* EB: A few years ago I really sat down and I imagined what my ideal lifestyle would be...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...

• Edmonton Sound Expands

  As children, Caitlin Sian Richards and Jenna Turner both played classical music. In their 20s, they turned to different modes of artistic expression—Richards to visual art, Turner to punk...

• Editor's Note

  This issue of Luma Quarterly looks at film, video, performance, and media art grounded in a sense of discomfort. Whether it is the abject, ejaculating cactus in Matthew Rankin’s...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  The film is a beautiful mixture of history, satire, dedication, and deep questioning. Rankin has been absorbed in all of the aesthetic power of Winnipeg, and taken it...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...