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• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• Ektoplasm-o-vision! with Guy Maddin

  ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...

• Can Writing About Art Be Art?

  Between July 19th and August 15th 2015, Jeanne Randolph and Jacob Wren worked closely with three Calgary-based writers—Bodgan Cheta, Jillian Fleck, and JD Mersault—to examine, theorize, and actualize the intersection...

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• By A Shift Of Distance

  3 Women demonstrates how Altman's creative development has arrived at an apt capability to eloquently explore more complex and stranger aspects of human nature by 1977. McCabe & Mrs....

• By A Shift Of Distance

  What is additionally enriching for any cultural discourse is how Altman dissolves the boundaries of private and public spaces throughout the film. In the aforementioned mass pile up, Nashville...

• Editor's Note

  The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  Kiju Yoshida was born in 1933 and, alongside fellow filmmakers Nagisa Oshima, Seijun Suzuki[mailto:https://www.criterion.com/explore/86-seijun-suzuki] and Masahiro Shinoda, was one of the key figures in Japan’s ’60s Nouvelle Vague, making films that, like their French counterparts,...

• Every Movie is a Ghost Story: an interview with Gemma Files

  Murray Leeder: Experimental Film joins Walker Percy’s The Movie-goer, Theodore Roszak’s Flicker, Steve Erickson’s Zeroville and others in the peculiar category of literary fiction about cinema, and even invokes a kind of “cinematic” quality in its section headings. How...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  I connect to the stream. The image presents itself on the screen of my laptop, a shaky, hand-adjusted frame that quickly steadies, focusing on the stage at VIVO...