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• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Editor's Note

  The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

• Editor's Note

  My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...

• Convictions: Rita McKeough's Veins

  The low growl escalates into furious barking. The music running through the installation sings a particular narrative of premonition: an ominous chanting, whispering, a chorus, burst of vicious growl,...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...

• Re-presentations, Adaptations, and VARIATIONS

  Furthermore, the individual works also contain references to the lives and practices of their makers. The remainder of Belzile and Craig’s Untitled, for example, feels like a narrative depiction of...

• Christopher McKinnon

  *Christopher McKinnon* is a writer and community organizer who lives in Toronto.