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• Fascinated and Repelled: an Interview with Lorenzo Fusi

  SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  Though what remains of the original Shirkers film is soundless, it is still very much alive. Watching the footage Tan salvaged from the recovered film canisters, there is...

• A Failed Poet

  He was, by all accounts, an astounding polymath of a man. Passing him on the street, however, you might have mistaken him for a drifter: his teeth were...

• Creation, Loss, and Rediscovery: On Sandi Tan’s SHIRKERS

  These are snippets from Shirkers, the first feature made by Singaporean filmmaker Sandi Tan in the early 90s when she was nineteen. There is no sound in the...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...

• Requiem for a Glacier: Mourning Climate Change

  To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...

• Maybe We Should Have Made That Doc

  *BB: Speaking of professors, can you tell me about the inspiration for writing Nancy? * CC: One of our professors in film school—Nick Proferes—was the DP on this amazing film from the ’70s called Wanda (1970), which was written,...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• Supporting Each Other in Genuine Ways Where We Are Now

  The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...