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Editor's Note
This issue of Luma Quarterly looks at film, video, performance, and media art grounded in a sense of discomfort. Whether it is the abject, ejaculating cactus in Matthew Rankin’s...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
The film is a beautiful mixture of history, satire, dedication, and deep questioning. Rankin has been absorbed in all of the aesthetic power of Winnipeg, and taken it...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
*GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...
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Intimacy and Distance: Mona Hatoum at the Western Front
Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...
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Intimacy and Distance: Mona Hatoum at the Western Front
One might suppose that the fragmentation of the body creates a disconnection between viewer and object so that the viewer is unable to relate the videos to their...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
While Calgary’s official brand splits the difference between anachronistic fantasies of rural simplicity and the skyscraper-strewn capitalist mecca, the reality is that suburbia vastly outstrips them both. It’s perhaps...
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Being Artful: An Interview with Multimedia Artist Brad Necyk
*SC: Due to these diverse mediums, you exhibit shows in a number of different contexts and gallery spaces. In Alberta alone to start 2020 you're participating in the...
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That Battle is Over, Girl: Alice Schoenberg
I first met Schoenberg at the Alberta University of the Arts together where we both graduated in April 2019. Despite having only had one class together in our...
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That Battle is Over, Girl: Alice Schoenberg
Her superwoman character appears in THIS IS A PROTEST (2018), performed in the dark and highlighted by a strong incandescent spotlight, and a projection on the back wall. The...