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• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  The original 107 minute X-rated British cut of Ken Russell’s controversial film, The Devils (1971) is set to be screened on DVD for the first time in Calgary...

• Kevin Rice

  *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Requiem for a Glacier: Mourning Climate Change

  The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...

• Requiem for a Glacier: Mourning Climate Change

  To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• Inside “Western” Filmmaking: An interview with Katie Wackett of CSIF

  KW: On a provincial level, the people in charge of our provincial funding are focused on bringing in productions that just want to shoot here…for the landscape. AKA service...

• Behind the Screen: Lessons from Making IN PLAINVIEW

  Watterworth chimed in adding that visually it’s akin to Hell or High Water[https://www.imdb.com/title/tt2582782/?ref_=fn_al_tt_1], a slow-burn story of two brothers who turn to bank robbing when they can’t pay the mortgage...