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  • Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

    Though there are many ways we can frame our relationship to climate crisis, colonialism, and patriarchal legacies, Kolijn’s The Ocean Inside is fertile ground for discussion around a collaborative...

  • Ziwei Huang

    *Ziwei Huang* was born and raised in Guangzhou, a coastal city in south-east China. He came to Canada in 2016. Since then, he has been working as a...

  • Chelsea Yang-Smith

    *Chelsea Yang-Smith* is a visual artist currently based in Calgary, Alberta. Using digital and analogue photography, she merges emotional intimacy with process through monumental banners depicting the Albertan landscape...

  • That Battle is Over, Girl: Alice Schoenberg

    The perceived achievement of equality is an insidious form of repression itself. It manifests in the statement, “Well I sure don’t feel oppressed”. In creating a lack of challenging...

  • That Battle is Over, Girl: Alice Schoenberg

    Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...

  • That Battle is Over, Girl: Alice Schoenberg

    The superwoman, now resting easily on the top of the ladder, forgets her climb. Now, she ponders how the ladder arrived under her. “I must say, I’m not...

  • Editor's Note

    This issue of Luma Quarterly looks at film, video, performance, and media art grounded in a sense of discomfort. Whether it is the abject, ejaculating cactus in Matthew Rankin’s...

  • Matthew Rankin Asks “Who Owns The Twentieth Century”?

    The film is a beautiful mixture of history, satire, dedication, and deep questioning. Rankin has been absorbed in all of the aesthetic power of Winnipeg, and taken it...

  • Matthew Rankin Asks “Who Owns The Twentieth Century”?

    *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

  • The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

    Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...

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