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• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• J.D. Mersault

  *J.D. Mersault* is a Calgary based writer. His art texts have been published most recently by the Art Gallery of Alberta and Untitled Art Society, and his art...

• Totally By Yourself In This Vast Emptiness: Ted Kotcheff on "Wake in Fright"

  TS: It feels very authentic. TK: I did have Jack Thompson who was a terrific actor and became a minor star. He worked in Hollywood and was in...

• Re-presentations, Adaptations, and VARIATIONS

  Although it is actually quite boring and reductive to do so, we still tend to cling to the idea of an artwork as a unique, singular, and exclusive...

• Re-presentations, Adaptations, and VARIATIONS

  Furthermore, the individual works also contain references to the lives and practices of their makers. The remainder of Belzile and Craig’s Untitled, for example, feels like a narrative depiction of...

• An object is a slow event.

  Based now in Mexico City after having spent the last several years studying at Edinburgh College of Art and at CalArts in Los Angeles, De Laborde’s practice has evolved...

• Every Movie is a Ghost Story: an interview with Gemma Files

  Murray Leeder: Experimental Film joins Walker Percy’s The Movie-goer, Theodore Roszak’s Flicker, Steve Erickson’s Zeroville and others in the peculiar category of literary fiction about cinema, and even invokes a kind of “cinematic” quality in its section headings. How...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  "The pendulum swings from realism to abstraction in history, and in my own continuum, it's the same," Richardson reflects on the trajectory of his work. By subjecting Atari...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...