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Editor's Note
As you hopefully know, February is Black History Month. What you might not know is that it has been celebrated in Canada since 1995 when a motion making...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...
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Lorenza Mazzetti: Free
Artist, novelist, puppeteer, filmmaker, and friend, Lorenza Mazzetti has spent her lifetime being creative, telling stories, being part of history and making history. Now 91, she lives in Rome...
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The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic
While Calgary’s official brand splits the difference between anachronistic fantasies of rural simplicity and the skyscraper-strewn capitalist mecca, the reality is that suburbia vastly outstrips them both. It’s perhaps...
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St. Martins, New Brunswick
My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
Svankmajer’s film is a free adaptation, opting to rely on visual nonsense rather than the original’s verbal nonsense. Carroll’s Alice strives to get home in the end, back to...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...
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The Spectacle of Power: Ken Russell's THE DEVILS (1971)
The original 107 minute X-rated British cut of Ken Russell’s controversial film, The Devils (1971) is set to be screened on DVD for the first time in Calgary...
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On Context
Searching for territory beyond the classic “puff piece” directive, Dan Olson wears in a free press pass to the 2016 Calgary Underground Film Festival, takes Harrison Atkins for waffles...
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Kevin Rice
*Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...