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• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Requiem for a Glacier: Mourning Climate Change

  The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

• Femme, Fierce, & f-stops: Women Working in Photography

  *CYG: People often glamorize working as a freelancer: you get to pick your own hours, work from home, be your own boss, etc. I know that isn’t always...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Naked and Alone at The Threshold Between Two Worlds

  I think back to a few months ago when the exhibition curator, Christina Cuthbertson, mentioned the Southern Alberta Art Gallery’s aspirations to host nude viewings of this work. I...

• PORTABLE CLOSETS by Kyle Alden Martens

  Every individual/collective is welcome to participate. The rules are not set in stone, but rather in the turtlenecks. With turtlenecks the players will move forward as instructed by one...

• THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

  After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...