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• Editor's Note: A Scene from 16

  Hygge[sitetree_link,id=470] enter Chapters enter Starbucks bean-smells coffee-floating friendly green tinge eco-friendly person-friendly coffee-friendly green damn. A fireplace chairs that loudly screech across brown tile floor the comfort of the bathroom...

• If you tell yourself garbage is art, is it possible to be wrong?

  After shuffling through some papers and a few different drawers, the technician turned around with a grimace and broke it to me—only 17 images could be developed out...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  A clip from an episode of the TV show Friends shows a woman performing on stage. The scene cuts to her son Chandler who says in an angry...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  All of these mainstream representations of trans characters fail to recognize that genitals do not necessarily equate with gender. There are certainly many trans people who actively choose to...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  In Eulogy for the Dead Sea, Polina’s lens follows the falling of the sun and the rolling saline lake from the sky. Text across the bottom of the...

• Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

  Native Elegance of the Soul, or Like, Whatever is framed as a walk through the Appalachian landscape. However, through rapid edits, such as, cutting out every second step...

• A Lineage of Self: Vivek Shraya’s TRISHA

  In the third diptych in the series, Shraya’s mother is draped in a pink robe, her arms wrapped around a stuffed animal. Shraya’s recreation alters slightly, and therefore personalizes,...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  In Eveline Kolijn’s The Ocean Inside (2019) images of plastic littered along the shore and the pallid remains of a devastated coral reef languish behind a quivering large-scale printed...