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                        Ireke Amoji
                    
                
            
            *Ireke Amoji* is a playwright, actor, director and an award-winning independent movie producer. He has a BA in Dramatic Arts from the University of Nigeria and an extensive career... 
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                        The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground 
                    
                
            
            It’s a very Warholian tendency – to always be creating and “cranking out” a high volume of media projects, honing their craft as they advance. Like their other influences... 
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                        Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation
                    
                
            
            These short films have been released online since May 2020 and, for the most part, were produced during the early stages of the pandemic. They capture the feelings... 
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                        PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage
                    
                
            
            *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the... 
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                        Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
                    
                
            
            Los-Angeles based artist and film director William E. Jones used this 1962 Mansfield footage for his video works Mansfield (2006) and Tearoom (2007). Jones created Mansfield after finding a... 
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                        Demons and Demonization: Filming the Anti-Dungeons & Dragons Hysteria
                    
                
            
            By the later ‘80s, anti-D&D hysteria had died down, but TSR itself was cautious enough that the words “devil” and “demon” were all but banned in new products, replaced... 
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                        Editor's Note
                    
                
            
            The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on... 
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                        As the Mind Tracks Shape... As the Mind Recalls Sound...
                    
                
            
            JN: In your 1994 film Technilogic Ordering, prolific images of the Persian Gulf War, refracted through the format of TV news, are manipulated using the mosaic function on... 
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                        Supporters
                    
                
            
            In addition to our public funders, Luma wishes to acknowledge the generous support of the Alberta Media Arts Alliance Society for the final issue. AMAASLogo 800px Luma relies heavily... 
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                        Savanna Harvey
                    
                
            
            *Savanna Harvey* is a multidisciplinary creator. She is an organizer of secret midnight meetings, an instigator of resistance, and a recruiter of accomplices. As a creator-performer, she has toured...