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• Editor's Note

  I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The “interviews” and the rest of Quickeners, has been reworked from real-world documentary footage about a snake-handling Evangelical Christian sect from Appalachia in mid-century America. The black and white...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Handmade Portraits

  This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

• Editor's Note

  My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...

• Supporting Each Other in Genuine Ways Where We Are Now

  The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...

• Naked and Alone at The Threshold Between Two Worlds

  Titled In The Telestic Waters, I See…, these clusters are the large-scale results of Dragan’s experiments with molybdomancy, an ancient method of divination where hot metal is poured into...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...