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• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  Thompson praises Osborne’s work, “I never felt that I saw someone like me represented on screen until I saw Sense8.⁹A Thousand Cuts shows just how rare a truthful portrayal...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Requiem for a Glacier: Mourning Climate Change

  The video installation moves back and forth between whole and split screens, an effective way of showing the terrain as the viewer gets to see the site and...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  Both films are about the inherent tensions of difference and diversity, between truth and lies – a natural fit for works that pass Western Canada as elsewhere in...

• Black box, white cube, and something in the middle

  Meet in the Middle uses the central theme of trauma as it relates to migration and memory reflected through film, art and the work located at their intersections. Twinning Saskatchewan...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: So, the history of Canada is fermenting in your mind, and then Mackenzie King comes along. When does everything begin to converge with film?* MR: Well, I read...

• Calling All Queers: A Spotlight on NFB Animation

  Canadian documentarian and artist Lynne Fernie’s²¹seventeen-minute Apples and Oranges(2003)is the longest of the five films I have selected and was created with a children’s audience in mind. As noted in the synopsis,...

• Fostering Women and Filmmaking: 30 Years of Herland

  The recent mentorship screening began with Lydia Adair's Errands, a multi-threaded film that examines the intersecting lives of people who meet in line at the bank. Adair’s narrative is...

• Ektoplasm-o-vision! with Guy Maddin

  Over the last five years, Maddin has obsessed over remaking lost and unrealized films from cinema’s early decades, a period from which only a small fraction of films...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...