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• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

  The film’s slowness is essential to its nuanced development of desire over time, but the queer optics of this timeliness are challenged by Rosalind Galt and Karl Schoonover’s arguments around the queer potentials...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...

• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Grounds for the trial begin as Abbess Jeanne (Vanessa Redgrave), like most women in the film (and what is most strenuous on the film’s suspension of disbelief), falls for...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  My viewing choices were shaped by a number of tastemakers. I surrounded myself by a set of books, some of which I owned (mostly scrounged from used bookstores),...

• Our Lexicon of Dark Corners to Light Up is Always Expanding

  LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....