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Prayer and Ritual in Cinema
A filmmaker based in Calgary, AB, Guillaume Carlier’s interest in the presence of religion and prayer in film comes from the meeting of two paths: his Catholic background and his...
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On Context
Searching for territory beyond the classic “puff piece” directive, Dan Olson wears in a free press pass to the 2016 Calgary Underground Film Festival, takes Harrison Atkins for waffles...
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First Nations Involvement in Alberta’s Film Industry
Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...
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First Nations Involvement in Alberta’s Film Industry
When Graham asked if anyone recognized the clothing, face paint, horses, or patterns on the teepees in Little Big Man, the elders agreed that these costumes and props...
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First Nations Involvement in Alberta’s Film Industry
Laughter permeated sections of the screening, where a deep and profound sadness soaked into others. At one point in Little Big Man, General Custard and his army slaughter...
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Brianna Strong
*Brianna Strong *is a visual artist residing in Calgary, Alberta. She is interested in how a reduced visual language of dots and lines can be extended into the...
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Is it finished.
Later, I turned to Google to research these artists. Most of what came up were Facebook profiles, wedding photographers, and a lot of blank National Gallery profiles; only...
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Culture & Capital: “Real failure needs no excuse” at the Esker Foundation
THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...
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Culture & Capital: “Real failure needs no excuse” at the Esker Foundation
A REAL JOB A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...
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Culture & Capital: “Real failure needs no excuse” at the Esker Foundation
GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...