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• Slay, Okay

  It is with the much-discussed visual album’s disorienting ambition to simultaneously “challenge the ongoing present day devaluation and dehumanization of the black female body” and “to seduce, celebrate, and...

• Every Movie is a Ghost Story: an interview with Gemma Files

  Murray Leeder: Experimental Film joins Walker Percy’s The Movie-goer, Theodore Roszak’s Flicker, Steve Erickson’s Zeroville and others in the peculiar category of literary fiction about cinema, and even invokes a kind of “cinematic” quality in its section headings. How...

• Black box, white cube, and something in the middle

  Meet in the Middle uses the central theme of trauma as it relates to migration and memory reflected through film, art and the work located at their intersections. Twinning Saskatchewan...

• thirstDays No.08: SO WIDE SO LOW SO HIGH

  I connect to the stream. The image presents itself on the screen of my laptop, a shaky, hand-adjusted frame that quickly steadies, focusing on the stage at VIVO...

• Jasmin Risk

  *Jasmin Risk* is an interdisciplinary artist whose videos, installations, and artist’s books use textiles as support and material. Risk’s work has been exhibited extensively in New York City, including...

• Rebecca Smyth

  *Rebecca Smyth* grew up in Calgary, where she studied at ACAD and lived on a honey farm in Okotoks before completing her BFA at Concordia University amid the political unrest of the...

• Jesse Cumming

  *Jesse Cumming* is a researcher, writer, and arts administrator based in Toronto. He is currently completing his M.A. in York University and Ryerson University’s joint Communication and Culture program,...

• New Images Row

• In Betweens

  “Unite Alberta.” In the wake of happenings south of the border, Jason Kenney, leading candidate for the Progressive Conservative Party of Alberta, has been inspired. Branding himself with the Alberta...

• An object is a slow event.

  NW: Yes, I love this. As a programmer I can sometimes feel the discomfort in the room when people aren’t getting the narratives they’re expecting. But when they...