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  • Prayer and Ritual in Cinema

    A filmmaker based in Calgary, AB, Guillaume Carlier’s interest in the presence of religion and prayer in film comes from the meeting of two paths: his Catholic background and his...

  • First Nations Involvement in Alberta’s Film Industry

    Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...

  • First Nations Involvement in Alberta’s Film Industry

    When Graham asked if anyone recognized the clothing, face paint, horses, or patterns on the teepees in Little Big Man, the elders agreed that these costumes and props...

  • First Nations Involvement in Alberta’s Film Industry

    Laughter permeated sections of the screening, where a deep and profound sadness soaked into others. At one point in Little Big Man, General Custard and his army slaughter...

  • Brianna Strong

    *Brianna Strong *is a visual artist residing in Calgary, Alberta. She is interested in how a reduced visual language of dots and lines can be extended into the...

  • Alex King

    *Alex King* is the Curator/Preparator for the University of Regina President's Art Collection in Saskatchewan, Canada, previously working in curatorial roles at the Estevan Art Gallery & Museum, the Winnipeg Art...

  • Tianna Fischer

    *Tianna Fischer* recently completed a Bachelor of Arts with Honours in Film Studies at theUniversity of Calgary. She previously acted as the VP Communications for the University of Calgary Film Society...

  • Supporters

     In addition to our public funders, Luma wishes to acknowledge the generous support of the Alberta Media Arts Alliance Society for the final issue.  AMAASLogo 800px Luma relies heavily...

  • Is it finished.

    Later, I turned to Google to research these artists. Most of what came up were Facebook profiles, wedding photographers, and a lot of blank National Gallery profiles; only...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

      THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...