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Being Artful: An Interview with Multimedia Artist Brad Necyk
*SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...
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Queers and Our Counterparts
AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...
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Reclaiming the North
And yet, some seventy-five to ninety percent of all Canadians live within one hundred miles of the American border, and even fewer have ventured to the northernmost regions. In...
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Editor's Note
"We were taught art history wrong." Allison Leigh[http://sirensongallery.academia.edu/AllisonLeigh/Talks], Postdoctoral Fellow at Cooper Union, stood up in a room full of the world’s most influential Media Art Historians and ethicists—a room built...
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Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR
Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...
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Re-presentations, Adaptations, and VARIATIONS
Snow’s works and methods are re-presented and re(-)ferenced both aesthetically and formally throughout VARIATIONS. Dan Browne and Steve Richman’s Poem riffs on Snow’s concerns for framing by transcribing some of his experiments with...
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An object is a slow event.
Based now in Mexico City after having spent the last several years studying at Edinburgh College of Art and at CalArts in Los Angeles, De Laborde’s practice has evolved...
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Jasmin Risk
*Jasmin Risk* is an interdisciplinary artist whose videos, installations, and artist’s books use textiles as support and material. Risk’s work has been exhibited extensively in New York City, including...
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Naked and Alone at The Threshold Between Two Worlds
This provocation to experiment and experience is exactly what makes the exhibition a success. Miruna Dragan has spent nearly two decades creating videos, photographs, installations, and experiences that investigate...
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Human Rights and Film at 150
*AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...