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• St. Martins, New Brunswick

  I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...

• St. Martins, New Brunswick

  My bralette is salted with sweat stains. I tuck the letter in its lace and stretch an elastic band around the shoebox. Lou is cheep-cheeping, so she must...

• Riva Symko

  *Riva Symko* is currently the Writer-in-Residence at Latitude 53 Contemporary Visual Art. She has previously published critical writing on art with the University of Lethbridge Art Gallery, Modern Fuel...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

• The Channelers

  Like the social imaginary of democracy as a form of participatory politics, networked media is believed to be a platform for free expression, a flagship for equal participation. At...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  The project scope focuses on North America (mainly Canada and the U.S.) and spans from the 1920s—with the introduction of the first widespread consumer amateur film format (16 mm)...

• Lorenza Mazzetti: Free

  Artist, novelist, puppeteer, filmmaker, and friend, Lorenza Mazzetti has spent her lifetime being creative, telling stories, being part of history and making history. Now 91, she lives in Rome...

• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• Lorenza Mazzetti: Free

  The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...