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• Editor's Note

  I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...

• Reclaiming the North

  And yet, some seventy-five to ninety percent of all Canadians live within one hundred miles of the American border, and even fewer have ventured to the northernmost regions. In...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Handmade Portraits

  A deep but fractured connection to personal and family history is also woven through several of McIntyre’s films, as they record, refract, and obscure the past in a...

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• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  A door that leads to the third floor of the hotel is closed with a rusty padlock. We peer through the windowpane and someone points to a piece...

• Editor's Note

  My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...

• Convictions: Rita McKeough's Veins

  Standing in the entrance of the room I sense a strong current of conviction. Rita McKeough's exhibition Veins is a carefully composed maquette of land, filled with sounds...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...