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Editor's Note
Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,1scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
These are some of the first images and snippets of dialogue from B.G-Osborne’s ten-and-a-half-minute 2018 video installation A Thousand Cuts. Appropriated clips of representations of trans people played by...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...
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