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  • Lauren Lavery

    *Lauren Lavery* is a writer and visual artist currently based between Vancouver, BC and Guelph, ON. She is interested in the concept of the female form and the discourse...

  • Editor's Note

    Lozano-Hemmer comments on art during the pandemic: With the continued devastation of COVID-19, experts have predicted that Museums will take years to recover, that crowded shows will be a...

  • SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

    If existing media systems and networks maintain and monetize off of colonialism, exploitation, state-sanctioned violence, and follow patriarchal operation manuals, then how do practices intent on resisting these motives...

  • Kevin Rice

    *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

  • Jem Noble

    *Jem Noble* (UK, 1974) lives and works in Vancouver (unceded Coast Salish territories). He repurposes media artifacts, stages gestures, screenings and performances, makes installations, publications and broadcasts, often working collaboratively....

  • Requiem for a Glacier: Mourning Climate Change

    The installation of Requiem for a Glacier at the Montreal Museum of Fine Arts is particularly effective. The twenty-two-foot-long screen takes up the entire wall of the gallery, reflecting the monumentality of the site. As...

  • Fascinated and Repelled: an Interview with Lorenzo Fusi

    ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

  • Ireke Amoji

    *Ireke Amoji* is a playwright, actor, director and an award-winning independent movie producer. He has a BA in Dramatic Arts from the University of Nigeria and an extensive career...

  • The Many Faces of NOFAC3: Documenting Calgary’s Queer Underground

    It’s a very Warholian tendency – to always be creating and “cranking out” a high volume of media projects, honing their craft as they advance. Like their other influences...

  • Movement as Activism

    Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...

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