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Our Lexicon of Dark Corners to Light Up is Always Expanding
LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...
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Materiality, Interaction, and the Other: Colton Hash & Freya Olafson
Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.1Although the interactions are less complex...
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Editor's Note: Re-Ornamentation
Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...
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Every Movie is a Ghost Story: an interview with Gemma Files
Murray Leeder: Experimental Film joins Walker Percy’s The Movie-goer, Theodore Roszak’s Flicker, Steve Erickson’s Zeroville and others in the peculiar category of literary fiction about cinema, and even invokes a kind of “cinematic” quality in its section headings. How...
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Queers and Our Counterparts
AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...
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The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke
Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that Sembène paved...
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Editor's Note
The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...
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Queers and Our Counterparts
AF: Yeah, definitely. Yeah, I guess, I kind of explained my position, and sort why I’m asking these questions. Um, I come from a practice based almost entirely...
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Slay, Okay
It is with the much-discussed visual album’s disorienting ambition to simultaneously “challenge the ongoing present day devaluation and dehumanization of the black female body” and “to seduce, celebrate, and...
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Editor's Note
I was recently left dead inside by “Longform Journalism in the Digital Age,” a panel discussion held at the Banff Centre a few weeks ago boasting the Online...