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• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: So, the history of Canada is fermenting in your mind, and then Mackenzie King comes along. When does everything begin to converge with film?* MR: Well, I read...

• Calling All Queers: A Spotlight on NFB Animation

  Canadian documentarian and artist Lynne Fernie’s²¹seventeen-minute Apples and Oranges(2003)is the longest of the five films I have selected and was created with a children’s audience in mind. As noted in the synopsis,...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...

• Blood on the Poplars: ALIEN THUNDER (1974) and the Story of Almighty Voice

  Fournier’s talents as a director sometimes outweigh the film’s difficulties. The closing two-minute series of wordless tableaus of different onlookers’ reactions to Almighty Voice’s death, culminating with a moving composition...

• Kevin Rice

  *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

• Telling Women’s Stories: A Spotlight on NFB Animation

  Jen Strom’s Assembly from 2012 is dedicated to the memory of Kathleen Shannon, an editor and Executive Producer of Studio D. The four-minute paint-on-glass animated film explores the process...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

• Kyle Whitehead

  *Kyle Whitehead* is an artist working primarily with small-format film to create experimental and expanded cinema projects. He prefers a careful and considered approach to image making; which should...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• Don’t just sit, don’t just stop

  Bonum [bo-NOOM], meaning “do for good anyways,” is a series of dream sequences between four dancers, choreographed and directed by Sabrina Naz Comanescu, and filmed and edited by Aran...