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Editor's Note

BY Kristen Hutchinson

In relation to place, belief, culture, & identity

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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

BY Kyle Whitehead

The tensions between religious and genealogical bonds are reconciled through filmmaker Jeremy Moss' experimental film.

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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA

BY Suzette Chan

Passive media consumption habits are directly challenged through the DIS Collective’s installation THUMBS THAT TYPE AND SWIPE.

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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

BY Kristen Hutchinson

An impassioned look at the mainstream media's appropriation of trans individuals in the installation A THOUSAND CUTS and it's censorship by Arts Commons.

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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

BY Jacob Bews

The uncanny underpinnings of stop-motion animation serve as a catalyst for Jake Bews’ analysis of childhood fantasies in Jan Svankmajer’s 1988 film ALICE.

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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

BY Carlin Brown

Water connects nostalgic memories between the Bow River and the Dead Sea in this poetic rumination on Polina Teif’s film EULOGY FOR THE DEAD SEA and her Wreck City documentary and residency.

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