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• Human Rights and Film at 150

  *AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• The Language of Trees

         The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

• Kevin Rice

  *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

• Mary Arnatt

  *Mary Arnatt* is a Masters student in the Department of Communication, Media and Film at the University of Calgary and is the recipient of the 2018 Gerald Pratley...

• Kyle Whitehead

  *Kyle Whitehead* is an artist working primarily with small-format film to create experimental and expanded cinema projects. He prefers a careful and considered approach to image making; which should...

• Declan Hoy

  *Declan Hoy* is an artist and writer whose projects explore photography, semiotics, and time. Recent projects include: The Usual Place, But To The Side (The Ivan Gallery, Calgary AB), and a show...

• Felicia Glatz

  Felicia Glatz holds a degree from the University of Calgary in Film Studies and is a proud and enthusiastic member of Calgary’s eclectic film community. As a writer...

• Movement as Activism

  Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...

• The 10th Alberta Biennial

  Echo’s Chorus by Devon Beggs: A Strange Polyphony by Areum Kim